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The race film or race movie was a film genre which existed in the United States between about 1915 and 1950. It consisted of films produced for an all-black audience, featuring black casts. In all, approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they have been largely forgotten by mainstream film historians. In their day, race films were very popular among African American theatergoers. Their influence continues to be felt in cinema and television marketed to African Americans. The term "race film" is sometimes used to describe films of the period aimed at other minority audiences. For instance, the 1926 film ''Silk Bouquet'' (also known as ''The Dragon Horse'') starred the Asian-American actress Anna May Wong and was marketed to Chinese-American audiences.〔"She (Wong) also appeared in a Chinese 'race' film, ''The Silk Bouquet'', released in June 1926 ...." (© Anna May Wong - Silent and Sound Film Actress - goldensilents.com )〕 == Financing and production == African Americans produced films for black audiences as early as 1905, but most race films were produced after 1915.〔Caddoo, Cara; Envisioning Freedom: Cinema and the Building of Modern Black Life: Cambridge: Harvard University Press, 2014; 24〕 As many as 500 race films were produced in the United States between 1915 and 1952.〔McMahan, Alison; Alice Guy Blache: Lost Visionary of the Cinema; New York: Continuum, 2002; 148〕 As happened later with the early black sitcoms on television, race movies were most often financed by white-owned companies, such as Alfred N. Sack, and scripted by white writers. Many race films were produced by white-owned film companies outside the Hollywood-centered American film industry, making them some of the first financially successful independent films. One of the earliest surviving examples of a black cast film aimed at a black audience is ''A Fool and His Money'' (1912), directed by French emigree Alice Guy for the Solax Film Company.〔McMahan; 147〕 The Ebony Film Company of Chicago, created specifically to produce black-cast films, was also headed by a white production team.〔Leab, Daniel. From Sambo to Superspade: The Black Experience in Motion Pictures. Boston: Houghton Mifflin, 1975; 45〕 Some black-owned studios existed, including Lincoln Motion Picture Company (1916–1921), and most notably Oscar Micheaux's Chicago-based Micheaux Film Corporation, which operated from 1918–1940. On his posters, Micheaux advertised that his films were scripted and produced exclusively by African Americans. Astor Pictures released several race films and produced ''Beware'' with Louis Jordan. The race films vanished after ''United States v. Paramount Pictures, Inc.'', or the Hollywood Antitrust Case of 1948, which forced the division of motion picture exhibitors from the motion picture production companies. African-American participation in World War II contributed to the casting of black actors in lead roles in several Hollywood major productions, such as ''Pinky'' with Ethel Waters; ''Home of the Brave'' with James Edwards; and ''Intruder in the Dust'', all in 1949; and ''No Way Out'' (1950), which was the debut of the notable actor Sidney Poitier. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Race film」の詳細全文を読む スポンサード リンク
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